Cause and Effect: Comedy Genre Films and its Audience Essay

Genuine laughter is known by many to be the best planetary medicine thither is. It is the automatic cure for sorrow and sadness, the antidote to alleviate any emotional stress, the approximately inexpensive and may be argued as being the purest and most enlivening form of audible vista known to man. This has been the motivation of most forms of entertainment, along the lines of buffoonery and humor.In terms of film and genre, the power of comedic lap lines and witty comic antics matched with superb timing has the will to command boisterous laughs and thought-provoking ideas through humor. though film representation of what is funny may vary, the interpretations that follow pertaining to what is laughable can be stretched from taking a particular scene within approval or dismay, and level in praise or disdain.The translation of clowning known as slapstick is probably the most identifiable form of humor in film. One of the earliest brands of funniness to be shown unto the silv er-screen, slapsticks effect on its viewers is then much more immediate and instantly and humorously stimulating. Filmsite.Org explains slapstick to beThis is primitive and universal comedy with broad, aggressive, physical, and visual action, including harmless or painless cruelty and violence, horseplay, and often vulgar sight gags (e.g., a custard pie in the face, collapsing houses, a fall in the ocean, a loss of trousers or skirts, runaway crashing cars, people chases, etc). (1)A square(p) film case of such a comedy would be Chuck Russells The Mask (1994) which starred Jim Carrey. He played Stanley Ipkiss, a local clerk of the Edge City bank, but upon his discovery of a rather supernatural item, in the form of a mask, it turns his life around, to say the least. As soon as he tries it on, he alters into a green faced, excessively fun loving, and extremely obnoxious individual.With Carreys communicatory comedic demeanor and delivery with the Masks rowdy character features, the slapstick comedy is very come up executed, and the films effect on its audience is more instantaneoushighlighting its purpose to amuse. His undomesticated manner even portrays a cartoon-like conduct which tickles the mind into more of reacting than analyzing the scenes by the audiences. On the other hand, there are films which rather choose to arouse audiences with a brand of high-browed comedy and almost insulting humor, tranquillise with the objective to entertain, but only in a different approach. Within the lines of cringe comedy, a comedy that is presented more on the lines of rather offensive depictions, the audiences taste of comedy is tested. The interpretation of comedy indeed varies from the more traditional depiction of what is funny to how offensive a particular situation could be. turn back for instance Larry Charles Borat Cultural Learnings of America for stag Benefit Glorious Nation of Kazakhstan which starred Sacha Baron Cohen. He played a Kazakh journalist who t ravels to the United States of America in attempt to experience the culture. But in the process, a series of cultural distortions are portrayed in the film, highlighting rather extreme and even distasteful situations wherein Cohen character, due to fictitious cultural gaps, would deliver outrageous comments and basically dare the social norms within his new environment. The films reception was one of debatable issue, and its content was deemed insulting by many, particularly with the gender and racial issues. As the meaning of what is funny could and would differ, a simple understanding must be made known to all viewers comedy is a form of entertainment. Whether it offends, stimulates thought-provoking themes, irritates, or makes its audiences olfaction good, it is all up to the viewer. It is all in the matter of perceptionfrom beliefs, orientation, and sensibility.Works CitedCharles, Larry. Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. Los A ngeles, California, 2006Filmsite.Org. Comedy Films. 2008 1-7. 10 November 2008.Russel, Chuck. The Mask. New York City, New York New Line Cinema, 1994.